He says about himself

My Dripping, initially "classic" has evolved first in the genre defined “Liquidism”, ie paintings with drained colors as in Dripping but mixed thanks to the inclination of the canvas, then into a genre decidedly "material" in which the colors, applied without economy, create a noticeable relief effect.

In my informal works we often see forms that come to life thanks to the imagination of the beholder. Other forms, instead painted, are created by joining the frames (Creative Form).

The Action-Painting disappears but remains Dripping when I express concepts, I send messages in premeditated works. Often there is one caption - an integral part of the work - which allows me to explain to the better my thinking.

Another evolution of my Dripping is to splash the color on the canvas (instead of dripping it) creating what I call "straws", that is, small colored strokes that appear to have been made with a brush. I call this variation of Dripping "Sketching". I use very often this technique, with which I made, for example, all my broad theme dedicated to the Macrocosm.

We live in a complex and chaotic world and I am convinced that things happen by chance. The opportunities, however, must be created, in order to channel our future in the desired direction. This concept I try to transfer it to my painting, where chaos, where colors seem to reign, it is only apparent because, observing well, there is a logic, which I call “The Apparent Chaos ".

It is important that everyone takes action, that everyone does his or her own better, in every field. My theory of "doing" expresses the need not to hope that things rain from heaven but the will to express oneself, in the best way, doing, producing the works that we feel within us, without waiting for unlikely commissions from patrons, without chasing the happened before they made their dreams come true.

Real success is to best realize what one is prefix to do.

Create and complete any work of art it is an art form, it represents, for an artist, true success.